An independent show guide not a venue or show. All tickets 100% guaranteed, some are resale, prices may be above face value.We're an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed prices may be above face value.We are an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed and they may be priced above or below face value.
Hi everyone! Well after 50 years of this great musical last night was the pits!
Simply put, the band was great minus the guitar playing Jesus and Pilate. The use of hand held microphones was "Bush League" and definitly a distraction. Jesus' voice was all over the place! Judas was just a little better. Ted Neely and Carl Anderson are rolling in their graves. Mary was okay, but ive heard better. Believe it or not I did like the Choreography. It was diferent, fresh approach. The chorus, background signers were awesome!
Caiphas and priests saved the scenes. Finally, I know it was opening night, but the show started 12 minutes late!!!!!!!! I totally missed the first ten minutes because I had to go to the mens room and got locked out!!!!!
Next time, I'll bring a portable unrinal !!!!!!!!
PS: The two stars are for the music!
John Decker from Pittsburgh, Pennsylvania
BIZZARE CHOICES, UNEVEN DIRECTION, WEAK JUDAS
Sometimes revivals say something new and interesting. Sometimes they transport you back in time. This did neither. Half the ensemble and cast seemed to be working with frenetic energy, and half seemed to just want the thing over with. Unfortunately, each type seemed to be randomly distributed, which was confusing. Judas emotes with all the believablity of Family Feud Steve Harvey, as played by Kenan Thompson on SNL. He was a bit all over the place vocally. If you know the show, you know that for it to work, Judas has to put the entire production on his back and carry it. Jesus was pretty good, Mary was there, Ultra-Intense-Dancer-Girl needed to be in a better, or at least different musical. The costumes were weak, the lighting design was lazy. Glitter-whipping a naked ravaged Jesus was fun, but a bit like being inside Mike Pence's darkest fantasy. Nobody understood why the moneychangers in the temple were dancing around with lighted crosses.
Jillian from Minneapolis, Minnesota
DISAPPOINTING ATTEMPT AT "MODERNIZING" JCS
JCS is my FAVORITE show. I have seen many amazing productions. This was not one. Jesus in a hoodie & man-bun was not convincing and seemed almost a lazy portrayal. Why did he keep picking up the guitar only to put it down again...random and confusing. Mary grew on me, as did Pilot.
Herod was a disappointment though. If anything could have turned up the volume and energy it would have been Herod's Court. But even that was flat and almost felt like a Goth interpretation. One-dimensional and a grey one at that.
One choice I really liked was the Priests. When they flipped their staffs to become mic stands I grinned! That was a flash of brilliance!
My last comment is on the glitter lashing. Felt like a cop out... That scene is SUPPOSED to be raw and disturbing. Splashing the actor with glitter is NOT the way to portray that event.
Until next time...
Anonymous from Marshall, Minnesota
Though the music and choreography we're wonderful, I found this production to be extremely disappointing. We were seated on the main floor of the theater. Their were four of us who attended the play together. The first comment that each of had was "I couldn't understand/hear the lyrics".
Being from outstate MN, I paid for dinner and and an overnight hotel stay just to attend a very disappointing production. It will be a long while before I choose to spend my money to attend an Orpheum production.
Pete from Boston, Massachusetts
Very disappointed. For a world tour Broadway 50th Anniversary production, I would of thought it would of been better. The orchestra was good except for a few timing issues with the percussionist. Jesus with a guitar and hand held microphones took away from the connection between actors. I’d have to say I’ve seen better acting at small community theater productions of this amazing rock opera. .
Lori from Washington, District of Columbia
I COULDN'T UNDERSTAND ANYONE.
I was very excited to see this show. I love musicals, but I had never seen JCS before. The production looked intriguing in the commercials so I decided to give it a try. I don't know if it was the way the audio was mixed or what, but I could not understand anything that was being sung unless the person was singing all by themselves. The man playing Pilate helpfully over enunciated everything so I could understand him. Also, Jesus didn't seem to know where he was going or what he was supposed to be doing when he got there. I just didn't feel any emotional connection to any of the characters, and I don't think they felt anything toward each other. Their voices were beautiful, but I couldn't make out the words. I wish that I had listened to the music before hand so that I would know what they were saying. It was also too fast paced. I feel like that lent to the not being able to form any connection. I wanted to love it, but I just didn't know how. Save your money.
Jeffrey Smith from Arlington, Virginia
A CONCERT, NOT AN OPERA
This particular incarnation is a concert and not an opera or musical. Operas and musicals involve not only singing but also acting , and they endeavor to dramatize a story rather than just presenting song after song. If you're OK with attending a concert of oldies, you might enjoy the show. But I expected more. The lack of acting was frustrating; were the actors supposed to be portraying characters? Were they actually even actors, or were they just singers? I wasn't impressed by the choreography - continuous frenetic dancing doesn't express a whole lot. Certainly a poor substitute for having actors actually play roles. The costumes got more and more ridiculous as the show went on - King Herod as a drag queen??? Did the costume designer view the program as a comedy? I left before the show was over.
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